NEW BARBARIANS - CD
VOLUME ELEVEN: NEW YORK

LABEL:
StonyRoad
SOURCE:
Madison Square Garden, New York City 7 May 1979
FORMAT:
2 downlioad cdrs
RUNNING TIME:
52.07/55.24
SOUND/SOURCE:
Audience stereo
PACKAGING:
Double Slimline Jewel case
 


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SOUND 6.5 / PACKAGING 10 / PERFORMANCE 8.5

 
TRACK LIST:

Disc One: 1. Intro, 2. Sweet Little Rock’n Roller, 3. Buried Alive, 4. F.U.C. Her, 5. Mystifies Me, 6. Infekshun, 7. Rock Me Baby, 8. Sure The One You Need, 9. Lost And Lonely, 10. Breathe On Me.

Disc Two: 1. Let’s Go Steady Again, 2. Apartment No.Nine, 3. Honky Tonk Women, 4. Worried Life Blues, 5. Band Introduction, 6. I Can Feel The Fire, 7. Come To Realize, 8. Am I Grooving You, 9. Seven Days, 10. Before They Make Me Run, 11. Jumpin’ Jack Flash.  

 
REVIEW:

The New Barbarians tour reached New York City on May 7th and this is the subject of volume 11 of this series, 6 tracks from this show were officially released on Wanted Dead Or Alive but these were heavily brickwalled. Two tracks also appeared on a limited ep for the Record Store Day in 2016. Two kinds of sources exist: a nearly complete audience source and a soundboard that can be found on Barb Wired (EVSD 204 & 205) but, unfortunately, it’s incomplete because four tracks are missing and three tracks are incomplete. It was then decided to do two versions of this show: one with the complete audience Volume 11a the one reviewed here and another one, mixing both versions to present the most complete show in the best possible quality.

This audience recording had to be decelerated by -0,55%. A gap in Sure The One You Need at 4’57 was eliminated as well as micro-gaps between the tracks, and the sound intensity variations have been corrected, reworking the transitions between tracks. Breathe on Me was deteriorated by loads of sound intensity variations and also the insertion of a wrong sequence (at 6’35) – but all is now corrected. Note fade ins/outs between Lost And Lonely and Breathe On Me, between Apartment Number Nine and Honky Tonk Women, between Am I grooving You and Seven Days.

This audience recording is certainly not one of the best from MSG, but has the weird quality of showing Bobby Keys work, almost always buried behind all the guitars.

 


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