Disc One: 1. Intro, 2. An Eye For An Eye (broken off), 3. Band Introductions, 4. An Eye For An Eye, 5. Rock It In The Pocket, 6. My Time After Awhile, 7. You Never Can Be Trusted (broken off), 8. You Never Can Be Trusted, 9. Messin’ With The Kid, 10. Don’t Start Me Talkin’, 11. Lookin’ For Willie, 12. Suitcase Blues, 13. Shorty George, 14. Improvised Blues, 15. Improvised Instrumental.

Disc Two: 1. The Dark Side Of Midnight, 2. Rock Me Baby, 3. Baby What You Want Me To Do, 4. Ridin’ On The Santa Fe, 5. I Wonder Why, 6. Born Under A Bad Sign, 7. Stormy Monday.

Disc Three: 1. CC Rider, 2. Blues Improvisation, 3. Stalling For Time, 4. Room To Move.

The whole show was professionally filmed by Len Dell'Amico and partly released on the video Blues Alive in 1984 and re-released with three more tracks on the DVD Jammin’ With The Blues Greats in December 1998; it was also partially released on 2 cds in 2011 as In The Shadow Of Legends (Blues Boulevard). These tracks were officially released:

An Eye For An Eye, Rock It In The Pocket, My Time After Awhile, Messin' With The Kid (Junior Wells on vocals and harmonica, Buddy Guy on guitar), Don’t Start Me Talkin' (Junior Wells on vocals and harmonica, Buddy Guy on guitar), Suitcase Blues (Sippie Wallace on vocals), Shorty George (Sippie Wallace on vocals), The Dark Side Of Midnight, Baby What You Want Me To Do/Baby What's Wrong (Etta James on vocals), I Wonder Why (Albert King on vocals and guitar, Frank Dunbar on bass), Born Under A Bad Sign (Albert King on vocals and guitar, Frank Dunbar on bass), Stormy Monday (Albert King on vocals and guitar, Frank Dunbar on bass), C.C. Rider (with all previous guests, Frank Dunbar changing to harmonica), Room To Move (Frank Dunbar on bass).

Note also these other guests: on Improvised Blues (Hubert Sumlin on vocals and guitar), on Improvised Instrumental (Hubert Sumlin on guitar), on Rock Me Baby (Etta James on vocals), on Blues Improvisation (Junior Wells on guitar) while Stalling For Time is an instrumental improvisation with just Mick Taylor. In 2016 on IORR a complete version of this concert coming from a video rip was uploaded, here it has been slightly reworked by de-clicking it and reworking the transitions between tracks. This concert was pivotal in Taylor’s career, I believe that his fascination with Albert King’s songs began here.