WOOD, RON

CD · HotWacks archive review

WITH JEFF BECH GROUP VOL.2 MARQUEE+

Sound 9 Packaging 10 Performance 9 Video
Label
Stonyroad
Source
Marquee Club, London 26 September 1967
Format
1 downlioad cdr
Running time
48.41
Sound / source
Soundboard mono
Packaging
single slimline jewel case
Features
Video / source
***image2***

Track list

1. Stone Crazy, 2. I Can’t Hold Out #1 (aka Talk To Me Baby), 3. Let Me Love You, 4. I Ain’t Superstitious, 5. I Think I’ll Be Leaving This Morning, 6. Rock My Plimsoul, 7. Jeff’s Boogie, 8. Wee Wee Baby, 9. (I Know) I’m Losing You, 10. Oh, Pretty Woman, 11. I Can’t Hold Out #2 (faded in).

The review

The second volume of this series covers the band’s Marquee Club appearance, few weeks after Windsor, here the l ine-up was the same but for Mickey Waller on drums.

This show appeared on several bootlegs: The Oldest Lost Tape (Scarecrow 010), Stone Cold Crazy (93 JB 018), All Shook Up (VRM 006-7) Beck To The Future (6702-A/B): all were taken from the same recording. The version used here is coming from Beck To The Future because the sound was already reworked, lots of defaults deleted and it was not as hissy as the original tapes which appeared on The Oldest Lost Tape. In the first release of this show Beck To The Future was decelerated by -4% but comparing with others versions for example Jeff’s Boogie this was a mistake; conversely, it had to be accelerated by +1%. Note that the tracks are often edited. On all the versions a second version of I Can’t Hold Out is added and wrongly titled Dust My Broom (on The Oldest Lost Tape) maybe they had to play it as an encore twice because they ran out of songs? It was compared – it is definitely not from any other circulating show. This track had to be accelerated by +6,5%. Luckily this recording features the whole concert and in a very good shape too.

On August of this year this recording re-surfaced with new notes by Goody's who Speed/Pitch-adjusted this remaster:

“All tracks have been properly tuned in Audition - each track in the previous edition was found to be off by a different amount, ranging between approximately 12 cents flat to as much as 33 cents sharp for the actual show and the phantom extra track 11 (which I highly doubt was played at this show) was approximately 55 cents sharp.

I've adjusted azimuth and phase as well as averaging the channels to make them the true double-mono stereo tracks that they have proven always to have been. By doing so, it brought together the various frequencies of the source that jumped around randomly from channel to channel which may have given the false impression that this was ever stereo. It strengthened the presentation quite a bit now, especially when listening through headphones”. Note that this version is 30 seconds longer than before and as far as sound output it certainly sounds better.

 

 

 

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