ROLLING STONES
- CD
LIVE R THAN YOU’LL EVER BE ORIGINAL EDIT COPY FROM SOURCE TAPES
LABEL: |
Empress Valley EVSD 583 |
SOURCE: |
Alameda County Coliseum, Oakland November 9th 1969 2nd show |
FORMAT: |
1 cd Limited edition |
RUNNING TIME: |
75.52 |
SOUND/SOURCE: |
Audience Mono, (Tracks 1,2,8,9,10,15,16) and Soundboard Mono (bc 29 Oct.72 KSAN).151PS, 2 Tracks, No Noise Reduction. |
PACKAGING: |
Slipcase |
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SOUND 9.5 / PACKAGING 9
/ PERFORMANCE 10
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TRACK LIST: |
1. Jumping
Jack Flash, 2. Carol, 3. Sympathy For The Devil, 4. Stray Cat Blues, 5.
Prodigal Son, 6. You Gotta Move, 7. Love In Vain, 8. I’m Free, 9. Under My
Thumb, 10. Midnight Rambler, 11. Live With Me, 12. Gimme Shelter, 13. Little
Queenie, 14. (I Can’t Get No) Satisfaction, 15. Honky Tonk Women, 16. Street
Fighting Man.
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REVIEW: |
This is the
second release from Empress Valley of the famous Stones Oakland 2nd
show from 1969 but it is not a new pressing since the number 583 is the same. The
excellent audience recording which became the most famous Stones bootleg called
Liver Than You ll Ever Be and the Bill Graham soundboard broadcast of 6 tracks
which was aired on 29 October 1972 by KSAN in San Francisco. The 6 tracks
already came out on vinyl on a boot called Oakland Sixty Nine (Ruthless Rhymes
692) and on cd on Liver then you ll ever be (DAC 116) and Oakland Coliseum
Arena (SODD 029). There is some hiss on the soundboard songs especially on the acoustic
ones but the mix of sources does not disturb listening because of the exceptional
high quality of the audience recording which prevents casual listeners to spot
the difference in sources. The mix is very good between the two sources as the
complete audience recording is used to supplement the missing soundboard parts
like at the beginning of You Gotta Move. This release according to its cover
has the original edit copy taken from source tapes. Packaging is certainly better than the previous one which had a RnR Circus shot.
Even within
the Stones collectors camp there are some that try to collect all titles of a
single concert and this is one that still attracts, despite almost 45 years;
the sound in mono but it is still an enjoyable and classic performance.
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