ROLLING STONES
- CD
L’OLYMPIA EUROPEAN TOUR 1967
| LABEL: |
| Mayflower-MF 203 |
| SOURCE: |
| all 1967, Tracks 1-9: L’Olympia Theatre, Paris, 11 April 2nd show, Tracks 10-17: Palalido, Milano 8 April 2nd show, Tracks 18,19: Hallenstadion, Zurich 14 April (Unknown location and date 1967 on cover). |
| FORMAT: |
| 1 picture cd |
| RUNNING TIME: |
| 66.46 |
| SOUND/SOURCE: |
| Tracks 1-14: Soundboard mono and Tracks 15-25: Audience mono. |
| PACKAGING: |
| single slimline jewel case |
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SOUND 7 / PACKAGING 10
/ PERFORMANCE 8.5
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| TRACK LIST: |
1. Paint It Black, 2. 19th
Nervous Breakdown, 3. Lady Jane, 4. Get Off Of My Cloud-Yesterday’s Papers, 5. Under
My Thumb, 6. Ruby Tuesday, 7. Let’s Spend The Night Together, 8. Goin’ Home, 9.
(I Can’t Get No) Satisfaction, 10. Introduction, 11. The Last Time, 12. Paint It
Black, 13. 19th Nervous Breakdown, 14. Lady Jane, 15. Get Off Of My
Cloud-Yesterday’s Papers, 16. Ruby Tuesday, 17. Let’s Spend The Night Together,
18. Goin’ Home, 19. (I Can’t Get No) Satisfaction.
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| REVIEW: |
This release
presents some Stones tracks from 1967 concerts; the April 11th, 1967 L’Olympia
2nd show tape has seen many releases: in vinyl on Fucking And
Sucking (TAP 010-PRO), A L’Olympia 1967 (Magic Dwarf Rec. MDR-4), 100% Odd Lots
or The Best of the Rest (TMOQ Odd One), The Real Alternate Album Between the
Buttons (RTR 007) and Let the Airways Flow 2: Melvourne, Paris & London
166-67 (1060 rec. R&B 30). On silver disc: 100 % Odd Lots (VGP 026), Still
I’m Gonna Miss You (VGP 073), A Rolling Stone Gathers No Moss (VGP 101), Paris
Match (Scorpio SCCD 15), Ready Steady Stones (VGP 248), Fuckin’ And Suckin’ (DAC
190), Gods in Olympia (TMOQ 002-004), Our Last Concert Ever… (Sister Morphine
57), Du Fond Du Coeur (FF 01), 66 Route (Godfather Rec. 262), Olympia Live in
the Sixties (Goldplate 1302 CD), Everlasting Tour 1966-67 (Eternal Grooves 0007).
As for the second Milano concert it has been released only on Scandinavian
Shakedown (VGP 365). The Paris recording is excellent, coming from a
re-broadcast of the show, with some worse quality patches; the second Milano show
is historically important and is less good quality being an audience recording.
The remaining two tracks seem to come from Zurich and are in poor quality.
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