TAYLOR, MICK
- CD
BRITISH TOUR 1992 VOL.3
LABEL: |
StonyRoad |
SOURCE: |
Town & Country Club, London 3rd February 1992 |
FORMAT: |
2 downlioad cdrs |
RUNNING TIME: |
45.58/52.47 |
SOUND/SOURCE: |
Audience stereo |
PACKAGING: |
Double Slimline Jewel case |
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SOUND 8 / PACKAGING 9
/ PERFORMANCE 9.5
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TRACK LIST: |
Disc One: 1.
Instrumental & Mick Taylor introduction, 2. I Wonder Why, 3. Laundromat
Blues, 4. Stranger In This Town, 5. Red House.
Disc Two: 1.
Goin' South, 2. You Gotta Move, 3. Little Red Rooster, 4. Boogie Man, 5. Can't
You Hear Me Knocking.
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REVIEW: |
Mick Taylor’s
first stop in London during his 1992 your is here presented in a great sounding
recording which had not been circulating widely by now, too bad the last
concert in London from the Mean Fiddler does not circulate; however, this is a
punchy show with a fantastic sound and a great find. Volume 3 of this
series has been reworked too, both channels have been equalized (+20% to the
left for the 5 first tracks, then 10% for the others). There is a fade in/out
before the last track (Can’t You Hear Mw Knocking). The only default of this
recording was that Can’t You Hear Me Knocking was cut in two parts, now they
have been joined but with a fade in/out and some seconds have been lost. Line
up is same as Brentwood with Anthony Thistlethwaite on sax on Can't You Hear Me
Knocking. Taylor’ playing is as fluid as ever and the version of Red House is
choked fill of great lyrical solos which are noy just the usual long exercises
buy present also a certain uniqueness in their development that differentiate
this version from the later more automated renditions. Unfortunately there is a problem on Can't You Hear Me Knocking which features twice band's introduction.
Packaging follows
the same pattern of the previous volumes, but for the back cover has been used
the entrance ticket which claims Kuma Harada would have played bass, so it
seems he was substituted by Roger Innes at short notice, the latter having
played with Ruby Turner, Climax Blues Band, Steve Gibbons etc. gets also noted
for a lengthy solo during Goin’ South which clocks in at 17.37. This is s a
fantastic recording, a must have for every Taylor fan; for collectors interested
in such minutia the London recording that was part of Brentwood first release
came from a different source. As usual all information comes from The Complete
Works Of The Rolling Stones database by Nico Zentgraf:
http://www.nzentgraf.de/books/tcw/works1.htm
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