1. Dust My Blues, 2. So Many Roads, 3. I Can’t Sleep, 4. My Own Fault, 5. Soul Of A Short Fat Man.

This release is quite rare and came out from White Widow Records, an Empress Valley spin off in 2006 when these tracks were broadcasted from the late Bill Graham’s site, from the liner notes: “Few bandleaders in the 60s had the vision or ability to constant change musicians and still create intriguing music every step of the way. John Mayall was one. Like Miles Davis and Frank Zappa, Mayall had a visionary knack for recognizing young talent and more importantly, knew how to assemble and arrange this talent into powerful musical units. In many cases Mayall was the catalyst for these younger musicians discovering their own voices, gaining confidence and defining their sound. This inevitably led to musicians striking out on their own, often to much greater success. In the mid 60s Mayall had some of the greatest British guitar players working for him, Eric Clapton followed by Peter Green, had helped redefine British Blues and brought a raw intensity as well as volume to the proceedings, that was being recognized globally. At the time of this concert Green had departed to form Fleetwood Mac and Mayall brought in young guitarist Mick Taylor as lead guitarist, yet another visionary choice. With a Bluesbreakers lineup that now featured Dick Heckstack Smith and Chris Mercer on sax and the rhythm section of Keith Tillman and Keef Hartley, they were a serious force to be reckoned with. This incredible night where John Mayall and the Bluesbreakers performed between Albert King and the Jimi Hendrix Experience must have been a feast for blues fans and guitar players alike. The recording begins poorly with Dust My Blues but by the second songs, So Many Roads, the instrumental balance is quite good. Mick Taylor fans might find this recording a holy grail, as so little exists of this era. Mayall released two poorly recorded live albums of this lineup that, although sourced from mono audience recordings, clearly demonstrated that Mick Taylor was indeed in the league of his predecessors. Here one can enjoy that same era in a far better clarity. Veing on a bill sandwiched between King and Hendrix must have been intimidating for all involved, especially for Mick Taylor, but he rises to the occasion.   His fluid guitar playing is simply outstanding on this set. One gets the sense that Taylor studied his predecessors carefully and was consciously avoiding duplication. He is striving for a sound uniquely his own and he is thoroughly successful. He has little interest in flashiness and instead, often plays in a manner both thoughtful and refined. This isn’t to say that he doesn’t cut loose- he does spectacularly on So Many Roads and My Own Fault, the two most improvisational pieces. On these he has plenty of bite, a distinct touch and a delicious tone. The set ending Soul of a Short Fat Man features drummer Keef Hartley and it’s a wild blowout by all concerned. This lineup only lasted for a brief span of time, but the music they created deserves and reward attention. Once again, these musicians would soon move on to more challenging adventures. Dick Heckstall Smith would soon be a founding member of Colosseum, Chris Mercer would hook up with Juicy Lucy, Keef Hartley would establish his own band and of course Mick Taylor would become a Rolling Stone the next year and soon be a prime component on some of the decade0’s most memorable music. However, it was right here that these musicians were discovering themselves.” However, just last March this show was released officially on the 30 discs box John Mayall The Second Generation.