ROLLING STONES - CD
GLYN JOHNS MASTER REELS

LABEL:
Mayflower MF 170
SOURCE:
Track 1: Muscle Shoals St. Florence 2-4 Dec.69, Track 2: Olympic St. London 15 March 69, Track 3: Dynamic Sound St. Kingston 25 Nov.-21 Dec.72, Tracks 4,6,7,9: Olympic St. London 13 March 68, Tracks 5,12,16,17: Olympic St. London 9-18 Dec. 69, Track 8: Newbury, Stargroves 17 Oct. 70, Track 10: Olympic St. London 25 March 68, Track 11: Olympic St. London 17 Apr.-2 July 69, Track 13: Island St. London 28 May 73 onwards, Track 14: Olympic St. London 16 Feb.69, Track 15: Olympic St. London 22-30 March 69, Track 18: Olympic St. London 15 March 69.
FORMAT:
1 picture disc
RUNNING TIME:
78.51
SOUND/SOURCE:
Soundboard Stereo
PACKAGING:
single slimline jewel case
 


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SOUND 10 / PACKAGING 10 / PERFORMANCE 10

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TRACK LIST:

1. Brown Sugar, 2. Gimme Shelter, 3. Angie, 4. Factory Girl, 5. Wild Horses, 6. Prodigal Son, 7. Dear Doctor, 8. Bitch, 9. No Expectations, 10. Parachute Woman, 11. Loving Cup, 12. Dead Flowers, 13. Winter, 14. You Got The Silver, 15. Sister Morphine, 16. Brown Sugar, 17. Wild Horses, 18. You Can’t Always Get What You Want.

 


REVIEW:

This release is the exact copy of Auction Masters, a compilation sourced from the original Glyn Johns masters, published by JBL awhile ago and reviewed here, that showcased many well known Stones outtakes that over the years have been released in the underground market on vinyl or cd, however coming from high generation recordings. Hence these are said to come all from Glyn Johns Master Reels which represent the original source; in the words of the project’s curator who also mastered it: “This release was carefully compiled from the best available sources. There has yet to be a release that collects the best moments from these tapes in one place, from the actual original reels. Many releases, even new ones, are still using cassette dubs and other inferior sources. Sound quality is at an official release level throughout with little to no tape hiss”. It must be said that there are some unwanted noises, like on Parachute Woman, that could possibly have been avoided and that not all of these songs come from Glyn Johns tapes for the simple fact that he did not attend all of these sessions, for instance the Jamaica 72 Kingston sessions were engineered by his brother Andy. This is however a great release, too bad there is not any clue on the recording dates on cover. Despite being the exact copy of that compilation though, this disc lasts 33 seconds less than that, due to have chosen the version of You Can’t Always Get What You Want without the choir intro.

ROLLING STONES

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