TAYLOR, MICK - CD
NORTH AMERICAN TOUR 1992 VOL.2

LABEL:
StonyRoad
SOURCE:
Lone Star Roadhouse, New York 14 May 1992, Disc One: 1st show, Disc Two: 2nd show.
FORMAT:
2 downlioad cdrs
RUNNING TIME:
59.39/60.18
SOUND/SOURCE:
Audience stereo
PACKAGING:
Double Slimline Jewel case
 


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SOUND 9 / PACKAGING 9 / PERFORMANCE 10

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TRACK LIST:

Disc One: 1. I ntro & Tuning, 2. Badmouth Mama, 3. Hoodoo Thing, 4. How It Feels, 5. You Gotta Move, 6. Shake Your Hips, 7. Kind Hearted Woman Blues, 8. Cairo Motel.

Disc Two: 1. Tuning, 2. Big Town Playboy, 3. That’s Alright, 4. Nowhere To Run, 5. You Shook Me, 6. You Don’t Miss Your Water, 7. Kid Man Blues, 8. Band Introduction, 9. Teresa.


REVIEW:

For this show have already been presented these Maidenlane recordings:

- ALT 22 & FP 22 for the 1st show

- ALT 23 for the 2nd show

It would not make sense to repeat them here, on the other hand there are video recordings of these concerts so some merges of the videos soundtracks and the Maidenlane recordings have been made synchronizing them in order to use them with the videos. The synchronization was pretty difficult due to the many micro speed variations in the video recordings, but it was accomplished.

For this volume, both sets have been combined:

1st show: (left = video & right = MDL decelerated by -1,6%)

2nd show: (left = video & right = MDL decelerated by -1%)

In detail, on Disc One (1st show) the Intro & Tuning were merged except for the first minute coming solely from the video, You Gotta Move, a micro-gap in the video source (between the VOB files) has been compensated, Shake Your Hips was merged except for the last minute coming solely from the video; Cairo Motel at 6’21, a micro-gap in the video source (between the VOB files) has been compensated.

On Disc Two (2nd show) the Tuning was merged except for the first minute coming solely from the video , on Nowhere To Run at 4’12, a micro-gap in the video source (between the VOB files has been compensated, You Don't Miss Your Water was merged except the last 10 seconds coming solely from the video, Kid Man Blues was merged except the first 4 seconds coming solely from the video, while Teresa had a micro-gap in the video source (between the VOB files) that has been compensated.

Overall, the sound output is excellent and Taylor’s guitar well upfront, but all other instruments can be clearly distinguished as well making this a very enjoyable release.

 

 

TAYLOR, MICK

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