TAYLOR, MICK

CD · HotWacks archive review

NORTH AMERICA SUMMER TOUR 1986 VOL.9

Sound 9.5 Packaging 9 Performance 10 Video
Label
StonyRoad
Source
Nightstage, Cambridge 3 August 1986 2nd show
Format
1 downlioad cdr
Running time
56.42
Sound / source
Audience stereo
Packaging
single slimline jewel case
Features
Video / source
***image2***

Track list

1. Tuning, 2. Anna Lee, 3. I’m A Blues Man, 4. Your Friends-Sweet Little Angel, 5. Band Introductions #1 & Banter, 6. Bad Boy, 7. Sweet Home Chicago, 8. Baby What You Want Me To Do, 9. Band Introductions #2 & Encore Break, 10. Going Down-Lucille-Reelin’ And Rockin’, 11. Outro.  

The review

Volume nine of this series is the second concert in Cambridge, all versions were different.

The first one (source #1), coming from Dime, had a slightly more muted sound and was centered on the guitar; on another version (source #2) the sound was more spacious and you can hear the other musicians much more, especially the piano and vocals.

The merging of the two gives a very interesting result: the guitar is on the left channel (source #1) and the other instruments more on the right channel (source #2): this gives a stereo effect that allows to appreciate the whole Mick Taylor's talent. Each version has first been reworked (equalized, de-clicked, phased, defects removed, etc.) then the two sources were mixed and used to complement each other after being synchronized.

This was an excellent concert that should not be overlooked by any blues or guitar fan... and even more so by any Mick Taylor fan; in particular the T uning was merged except 5 first seconds coming solely from source #1, on I’m A Blues Man a microgap is now patched in the 2nd source (right channel), on Sweet Home Chicago (merged) except from 6’09 to 6’17coming solely from source #1

at 3’44 a microgap is now patched in the 2nd source (right channel). On Baby What You Want Me To Do after 3’40 the 2nd part of the song (2’33!) is coming solely from source #2, while the Band Introduction #2 and Encore Break are coming solely from source #2 until 1’52, then they are merged; finally the Outro (not merged) comes solely from source #2. Soundwise this is another great recording of an excellent performance.

 

 

 

 

 

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